so here i am loading this blog with 2009's four season's pics:
winter 2009 (thicker snow for london)

autumn 2009 - falling leaves while i was strolling along a posh street

spring 2009 in hampstead

summer in bedford (31st may 2009)
"you had such vision of the street, as the street hardly understands" --T.S. Eliot--



To eat or not to eat, that is my not so very original question. The second half of the noughties saw me gain twenty pounds leading to a radical change in my wardrobe contents to accommodate the increasing dress size and misshapen physique. In this highly cruel, antagonistic world of bitchiness, becoming a tubby conundrum is not cool. It’s the diet of saturated fats, gripped on rice, rice and even more rice, of excess carbohydrates turning into fats, on subsisting on desserts and the what nots. I don’t eat tomatoes ever. Try as I might with the daily 30-minute workout, it still remains a wistful dream. Alas, I write consistently about this topic. All I want is to stop all the grating rants and get to work.
during the lull after christmas, in between work days when the twilight was in its overpowering form, i decided to view one of the simmering films kept in the sky plus cupboard. i've always been intrigued by ingrid bergman, she was not only a quintessential swedish beauty who conquered hollywood but the most international of actresses who spoke five languages and acted in each of the languages in various stages. she's well known for the film that i haven't seen yet in its entirety, Casablanca (1942). not to mention she's the fourth greatest female star of American cinema in the AFI's list.
i was glossing over AFI'S top women screen legends the other day and i compared and contrasted their careers and their films that i want to see. audrey hepburn is high up the list and it left me bewildered, marilyn monroe is even included and got ranked higher than liz taylor and joan crawford. hype is huge when it comes to these rankings, so i took a glance at their lovelives and saw a few wrecks. with the exception of grace kelly, i concluded, yes, none of them is like meryl streep.
Leigh as Blanche is riveting. Originating the role at West End’s stage production which was directed by Laurence Olivier, her transformation of the character into film accommodates a more vivid picture of Blanche’s nuances and expressions. It’s an extremely challenging role, requiring elements of haunting depth to convey the profound distress of a declining southern belle. Gifted with expressive eyes, exquisitely formed visage and a pliant spirit, Leigh’s Blanche is the benchmark for all past and present Blanches whether on stage and television. Brando as Kowalski is all the more brutal and remorseless as it was brought to life by a young Brando himself. The other actors in the film with Kim Hunter as Stella and Karl Malden as Mitch channel the sleazy and graphic components of the New Orleans slum.
As a child, my mom talked incessantly about Giant (1956) the film. Directed by George Stevens and starring Liz Taylor, Rock Hudson and James Dean, it’s a sprawling epic of Texas, its beautiful people; the ranchers and billionaires, the nouveau riche of the early 20th century that shape up the vast and unadulterated landscape of cattle, horses and oil. It’s also 190 minutes long, not only three hours of precious screen time but also three hours that should be allocated to the pursuit of the daily grind. If you like James Dean, then it’s worth it, as this is his final screen appearance. He was killed in a car accident before the film was released. He made only three films but had two academy award nominations with each role as surly and as stroppy as the other.
I haven’t seen The Women (1939) yet, the film that starred Norma Shearer and Joan Crawford. But its remake The Women (2008) starring the likes of Meg Ryan. Annette Benning, Debra Messing, Jada Pinkett-Smith and Eva Mendes, I was able to view recently on Sky Movies. It’s pretty hollow flick. Men in nature shouldn’t be polygamous. They just shouldn’t. Both The Women films have no male characters appearing on the screen, although their failures and peccadilloes are mostly the main topic in the discussions and repartee. It’s also quite unthinkable for Joan Crawford as a saleslady behind the counter waiting for a man to drape her in jewellery. I always picture her as a toughie and independent. As for Eva Mendes as the mistress and a cosmetics salesgirl, well. Meg Ryan shouldn’t had those facial surgeries that made her a shadow of her former It Girl glory.