

"you had such vision of the street, as the street hardly understands" --T.S. Eliot--
even when there's no one sitting there.
S -- is for snow, and summer. the weather irks, and provokes discussion into its myriad aspects.
having read both jane eyre and wuthering heights, i mulled over the terminologies reflected in the ongoing debate between the sisters in this article. preferring jane eyre myself, and being juxtaposed to a librarian is definitely not too shabby. aside from attaching articulate lyrics to haunting melodies, the excitement in a rock star's routine is much too melodramatic for my liking. while a librarian is being surrounded by books, lots and lots of books, in a hubbub of cool serenity.
the blogger app on my phone couldn't post for two days, testing my patience to its limits, pushing me to exasperations. until now, i still couldn't figure out the publication errors, but it ultimately allowed posting. my netbook meanwhile is very slow. i tried cleaning the caches but nothing, i'm back in the dark ages. but then there was a time not too long ago when the internet was only available in cafes, which didn't serve coffee, or at the Singapore library. that was the diversion, escaping from the place of residence to check my emails and bask in the magical world of yahoo. now, it's in our fingertips, all too generous for the little comforts, making us sit back and relax as long as there's cellular reception.


jen aniston, enjoying the perks of typecasting, looks incredibly hot. by her sparkling skin tone, it's apparent that she's one of those ladies pampered by fine dining, spa treatments and grand vacations and has a beautiful abode to boot, all paid for by the hollywood machine. unlike several others she had done in the past, her previous film the bounty hunter was a departure in a sense that she was actually sharing screen time with her co-star, not playing second fiddle or leading lady to the male lead. in the switch, aniston as kassie, is back to second lead, as the star of jason bateman's narration while bateman as wally dominates the frames. but as with the commuter review i've read, this baster is no turkey. i don't even find the first part dragging. my only complaint with the screenplay is that, why don't we see the resulting offspring sebastian in diapers? why didn't the characters age after seven years? convenience, or the movie is really about a child and his relationship with his real birth father and their scenes together are smart and entertaining.
It's a struggle to remain in a vertical position when one is utterly exhausted. Is it only me who gets listless and weary after an excruciating week? Or we can overcome pain and tiredness by eating fruits and vegetables and regular exercise? Or despite a diet consisting mainly of salads, too much work and reckoning tires the spirit? It could be time management issues but mainly even if our backs are murdered, a simple smile from the higher-ups is almost non-existent.


probably despite conjuring my best efforts i would never be able to give justice to what i witness on friday night. i just read this review over and over and agree, yes, the muse concert at wembley stadium was spectacular. we don't have a venue as huge as wembley in bacolod. so consider me manool (i'm lost in translation). the mister and i got in just the right time to catch lily allen and then some kind souls wanted to swap seats for their group to be aligned together and we agree. i like aisle seats. i didn't have to stand for most of the concerts. i have the utmost discomfort at the pit, mousy me.
how do we combat fatigue? using our body and mind to earn our keep, we engage in manual labour, or carry notes around not letting our hands get dirty.
