
It was my mom's third death anniversary on the 22nd. I still ache for her vibrant opinions. She was the epitome of charm, grace and beauty. We might say that about all the mothers, but in her case, her pull of gravity was undeniable.
"you had such vision of the street, as the street hardly understands" --T.S. Eliot--
SET 1

Had a very interesting phone conversation with my husband an hour ago.
There was a drizzle this morning at nine o'clock. It wasn't that bad though, since it's still officially summer, the temperature is manageable. The English rain has never been overpowering anyway. The sun is setting early these days and before we're aware of the seasonal shift, it's December and we're balancing in a pile of snow.
it has been a hectic few days. got sunburned on sunday, totally misread the forecast. but it was mostly me forgetting to bring the sunblock. the eddshrinker cup was fun though. i couldn't help laughing. it was a quiet study of ego, self- esteem and existential outlook. there were deep internalizations about culture divide. nonetheless, the nicest of them all is no longer with us.
meeting the in laws for the first time is no laughing matter. forging a relationship is even trickier. that is why during the last week all i've been doing is play Guess Who every single day. it's a lobotomised version of Guess Who's Coming to Dinner. Bernie Mac is Spencer Tracy and Ashton Kutcher is Sydney Poitier. the Mac-Kutcher duo have a sparkling dynamic. the movie's comic timing, the awkward moments, the dancing, the singing are captivating. call me shallow and the likes for hankering over the less intimidating comedies. but then these so-called comedies are not as pretentious as the wannabe award-winning dramas. we all need a bit of merriment in our highly-stressful lives and for my despondent soul, it's merely Guess Who.
Management, the indie flick starring Steve Zahn and Jennifer Aniston, is actually not too bad. Compared to most crap showing in cinemas and movie channels, this is my preferred viewing experience. Zahn, who plays Mike, is the film's main protagonist. His character's journey from Arizona to Maryland to Aberdeen, Washington to the Buddhist monastery and back to Arizona may seem incredulous, but there is an apparent charm and sweetness to his actions. A reader's comment in one of the reviews state that this film should never have been released. But I gather that comes from the anti Aniston camp because as moviegoers and pseudo-followers of tabloid culture, we like taking sides.


My sojourn to the bookstore rendered a few indecisions about the choice of reading materials. Still waiting for the compilation of essays to be available on paperback (the hardbound price is too steep), I looked for the familiar and picked up a classic. Or I think it's a classic. It's thick, heavy and going to be a hard read. It would take me a hundred years to be able to land in the final page. But this is the quintessence of this avenue, I've got to bury myself in extreme predicament or else the road would be filled with pitfalls.


There hasn't been a film on the telly that took my fancy during the fortnight. There was an afternoon glimpse of Cleopatra starring Liz Taylor, Richard Burton and Rex Harrison. But it was almost five hours long. As a motion picture, despite supposed glamorous costumes, it feels like an empty five hours of nothing. Perhaps since I only saw five minutes of the flick, I should postpone my opinions for later. However in those precious five minutes, it wasn't impressive enough to convert the glimpse into a viewing or I was in a hurry to make my appointment. Maybe the next instance it comes up I will form conjectures, that is when I actually have five hours of precious free time. Despite the flak from all corners, it genuinely has a good review from the New York Times.