

another gift from the in laws.
my time and real time.
i set my clocks 45 minutes in advance.
"you had such vision of the street, as the street hardly understands" --T.S. Eliot--

I wasn't able to start nor finish Zombieland. Jesse Eisenberg's always channel the cute geek. Emma Stone seems everywhere and Bill Murray has a nice mansion. It reeks of Shaun of the Dead, set in America rather than England.
there's a speech in the other end of the line that goes something like this, although you pretend to be an american, it's important to note that you are not an american, or something to that effect. i couldn't muster a direct quote. but that monologue could have been targeted to my younger self who was beguiled by the american pop culture. i'm no longer as naive. i've explored other ways of thinking. by virtue, watching other cultures study in depth the differences between sarah michelle gellar and sarah jessica parker, elicits a little surprise. growing up embracing hollywood, such confusion did not exist. we just know.






the SAG awards nominations are pretty quite similar to the Golden Globes with a few distinctive exceptions. first, there's no lea michele amongst the nominees. the supporting and lead categories in comedy are truncated into one list and her shrill, annoying rachel berry didn't make the cut. and it would have been wonderful if jim parsons and the big bang theory ensemble were able to sneak into the select compendium. but the actors guild opted to go with single-camera comedies. my choices may not sometimes matter in the grand scheme of the universe but they're my choices.
Everybody's Fine starring De Niro and familiar faces as his kids (Kate Beckinsale, Sam Rockwell, Drew Barrymore) remind us or specifically me that children are always closer to their mothers than their fathers. A retired hard worker who a few months ago lost his wife, De Niro traversed the continental US touching base with each of his offsprings, uncovering white lies and realising that as adults they confided to their mother while keeping him in the dark about their lives and careers. It's a nuanced performance from De Niro, miles away from Meet the Fockers, far removed from The Godfather 2.











catching thy breath, blogging, replenishing the myriad of missing texts in these pages, writing about nothing and the weather, time is of the essence. although i have difficulty relating to some brand of women-talk from the home country during lunch hour. what if charice pempengco not featured in the glee concert at the O2? would that make it less interesting? a good singing voice is a good singing voice. but a few fags here and there could stifle the gift of angelic melody like what happened to charlotte church. one throat surgery and one is suddenly like julie andrews. i'm not saying that charice will end up like whitney houston. but am i really on speaking terms with people whose outlook are pretty limited?